Legends That Every Child Should Know; a Selection of the Great Legends of All Times for Young People by Mabie, Hamilton Wright, 1845-1916

The use of the stories at church services led to the collection, orderly arrangement and reshaping of a great mass of material which grew rapidly because so many people were interested in these semi-religious tales. In the beginning the stories had, as a rule, some basis in fact, though it was often very slight. As time went on the element of fact grew smaller and the element of fiction larger; stories which were originally very short were expanded into long tales and became highly imaginative. In the Thirteenth Century the _Legenda Aurea_, or Golden Legend, which became one of the most popular books of the Middle Ages, appeared. In time, as the taste for this kind of writing grew, the word legend came to include any story which, under a historical form, gave an account of an historical or imaginary person.

During the Middle Ages verse-making was very popular and very widely practised; for versification is very easy when people are in the habit of using it freely, and a verse is much more easily remembered than a line of prose. For many generations legends were versified. It must be remembered that verse and poetry are often very far apart; and poetry is as difficult to compose as verse is easy. The versified legends were very rarely poetic; they were simply narratives in verse. Occasionally men of poetic genius took hold of these old stories and gave them beautiful forms as did the German poet Hartmann von Aue in "Der Arme Heinrich." With the tremendous agitation which found expression in the Reformation, interest in legends died out, and was not renewed until the Eighteenth Century, when men and women, grown weary of artificial and mechanical forms of literature, turned again to the old stories and songs which were the creation of less self-conscious ages. With the revival of interest in ballads, folk-stories, fairy stories and myths came a revival of interest in legends.

The myths were highly imaginative and poetic explanations of the world and of the life of man in it at a time when scientific knowledge and habits of thought had not come into existence. The fairy story was "a free poetic dealing with realities in accordance with the law of mental growth, ... a poetic wording of the facts of life, ... an endeavour to shape the facts of the world to meet the needs of the imagination, the cravings of the heart." The legend, dealing originally with incidents in the lives of the saints and with places made sacred by association with holy men, has, as a rule, some slight historical basis; is cast in narrative form and told as a record of fact; and, in cases where it is entirely imaginative, deals with some popular type of character like Robin Hood or Rip Van Winkle; or with some mysterious or tragic event, as Tennyson's "Idylls of the King" are poetic renderings of part of a great mass of legends which grew up about a little group of imaginary or semi-historical characters; Longfellow's "Golden Legend" is a modern rendering of a very old mediaeval tale; Irving's "Legend of Sleepy Hollow" is an example of purely imaginative prose, and Heine's "Lorelei" of a purely imaginative poetic legend.